✰ sing permissions ✰
PLAYER
NAME: Laus.
CONTACT:
blackspire
ACTIVE TIMES/PACE: Evenings (MST), generally slower, may go a couple days between tags at times.
BRACKETS/PROSE: Default to brackets, but I'm fine with either and will match style.
OFFENSIVE SUBJECTS & TRIGGERS: Self-harm (particularly involving wrists/forearms), detailed circumstances of rape, miscarriages/pregnancy horror.
CONTACT:
ACTIVE TIMES/PACE: Evenings (MST), generally slower, may go a couple days between tags at times.
BRACKETS/PROSE: Default to brackets, but I'm fine with either and will match style.
OFFENSIVE SUBJECTS & TRIGGERS: Self-harm (particularly involving wrists/forearms), detailed circumstances of rape, miscarriages/pregnancy horror.
IN CHARACTER
PHYSICAL AFFECTION: Ken loves to hug.
PHYSICAL VIOLENCE: Ken loves this less, but feel free to do it.
RELATIONSHIPS: Very monogamous, still getting over rejection and currently unavailable.
PSYCHIC & PSIONIC INFORMATION: Ken has no mental blocks. Please reach out if you need to know something!
MEDICAL INFORMATION: Practically perfect in every way.
OFFENSIVE SUBJECTS & TRIGGERS: He is still discovering what's offensive to him.
PHYSICAL VIOLENCE: Ken loves this less, but feel free to do it.
RELATIONSHIPS: Very monogamous, still getting over rejection and currently unavailable.
PSYCHIC & PSIONIC INFORMATION: Ken has no mental blocks. Please reach out if you need to know something!
MEDICAL INFORMATION: Practically perfect in every way.
OFFENSIVE SUBJECTS & TRIGGERS: He is still discovering what's offensive to him.
OUT OF CHARACTER
BACKTAGGING: Go for it!
THREADHOPPING: Yep!
FOURTHWALLING: To a degree. Ken is very aware he's a toy, so mentions of that and Mattel and everything Barbie related is good to go. Just don't mention he's from a movie.
NOT INTERESTED IN: Aggressively negative CR. Fine with general negative CR, sometimes people just don't get along, but nothing extreme.
THREADHOPPING: Yep!
FOURTHWALLING: To a degree. Ken is very aware he's a toy, so mentions of that and Mattel and everything Barbie related is good to go. Just don't mention he's from a movie.
NOT INTERESTED IN: Aggressively negative CR. Fine with general negative CR, sometimes people just don't get along, but nothing extreme.
FIRST IMPRESSIONS
VISUAL: Ken appears ambiguously in his mid-to-late thirties. He's very tanned and has platinum blond hair, basically what you'd think a California Beach Type might look like. Super well-defined muscles and a bright smile. Prefers beachier type clothes and colours, patterns, fringe, mesh ... Anything fun and what most people might find hard to wear.
AURAL: Examples here and here.
OLFACTORY: Clean, and beachy. Think fresh ocean air and a slightly coconut-esque scent.
DEMEANOUR: Very friendly and eager. Think about a golden retriever puppy and imagine that personality in a person.
AURAL: Examples here and here.
OLFACTORY: Clean, and beachy. Think fresh ocean air and a slightly coconut-esque scent.
DEMEANOUR: Very friendly and eager. Think about a golden retriever puppy and imagine that personality in a person.
☆ code by kimmiserate ☆
✰ movie history ✰
When we first see Ken, it’s another beautiful day in Barbieland. Ken is, of course, at the beach where he say hi to Barbie. Barbie then proceeds to say hi to him, as well as all the other Barbies, and Tourist Ken (who is Ken’s main rival). Jealous of everyone else getting attention, especially Tourist Ken, Ken is determined to make waves. Literally. He rushes out to the fake ocean with the fake waves, surfboard in hand, but bonks into the plastic waves and falls back on to the beach. Barbie is there to help him up. Tourist Ken immediately pokes fun at Ken, which prompts an argument that Barbie breaks up just in time for Dr. Barbie to arrive. Awaiting his x-ray results, Ken informs the Barbies standing around that his job is just Beach and people often confuse it for other things, and how it’s not easy. Ken gets a clean bill of health, and, crossing his fingers, he asks if he can go visit Barbie later that night.
At Barbie’s, there is a cool dance party. Ken joins in only when he sees Tourist Ken dancing with Barbie, but Tourist Ken shows him up once more with a backflip across the dancefloor. Despite Barbie halting the party to ask if anyone’s ever thought about dying, the party goes on, and the night ends with Ken sharing a “kiss” with Barbie outside her house. Despite them being boyfriend-girlfriend, Barbie tells Ken it’s girls’ night and he isn’t invited to stay overnight. Ken whispers, “I love you, too” as he walks away from Barbie’s house, the sounds of Barbie and her friends having fun in the background.
As Barbie malfunctions, she learns the only thing to do is to go to the real world to fix it. They have a send-off party for her, where Ken pretends that Barbie asked him to go with her but he denied it. Tourist Ken calls his bluff, prompting another argument that ends with a bet about Ken not being scared and about Barbie wanting him to go along. Ken hides in the back of Barbie’s convertible and convinces her to let him tag along.
In the real world, Ken and Barbie realize that it’s the opposite of Barbieland. After Barbie punches a guy for slapping her butt, she and Ken are both arrested. They are released, find a change of clothes, but get arrested again for not paying for them. Released once more, they go in search of the girl Barbie is meant to find. Ken is annoyed he has to wait and goes for a walk. He discovers all things Manly Man. There are guys at the gym being bros, business men with jobs and female assistants, men who own their own cars. Ken becomes overloaded with Male Dominance in the media and the culture he’s experiencing. Excitedly, he runs back to Barbie to tell her that men rule the world, but, with the two of them speaking at the same time, she doesn’t hear what he says. They decide to go to the high school where she thinks she will find the girl she needs to speak to.
As Barbie does her own thing, Ken slips into the library to collect books on patriarchy and horses. On his way out, a woman asks him for the time. He interprets this as a sign of respect and heads out into Los Angeles to find his spot as a man in the world. With no credentials to do anything, he comes up empty handed and returns to the school in time to see Mattel come pick up Barbie to bring her to headquarters. Ken decides that he has to go back to Barbieland and introduce the Kens to patriarchy.
When Barbie returns to Barbieland, it is now called Kendom. The Kens exhibit the same masculine bro behaviour Ken witnessed in LA. The former Barbie Mount Rushmore has been redone to feature horses. Ken has turned Barbie’s Dreamhouse into Ken’s Mojo Dojo Casa House, and decorated it with large couches, TVs, gym equipment, and horse decor. Ken himself has taken on a new look, emulating the pictures of Rocky he’d seen while the others Kens sport western wear. In the real world, Ken dolls and accessories are becoming all the craze. As Barbie tries to put some sense into Ken, he tells her that she failed him and how, in the real world, he finally felt like he was somebody. He informs her that the Kens have taken over the Supreme Court and are changing the constitution, tells her that she can’t come inside his house, and throws her clothes on to the street.
As the Kens work to close the road between Barbieland and the real world, unbeknownst to them, the Barbies are plotting to take back their home. They unbrainwash all the Barbies by distracting the Kens, and Barbie comes to see Ken. She falsely agrees to be his girlfriend, using it as a set up to turn the Kens against each other due to their fragile egos and jealousies. Ken organizes a fight between his Kens and Tourist Ken’s group, and ends up singing a rousing song that brings all the Kens together. In the midst of it all, they’ve forgotten to vote for the new constitution and the Barbies have taken back their Supreme Court. When the Kens return to the Dreamhouses, they are once again Barbie-fied. Ken, seeing that his dream is crumbling, runs inside in shame. Barbie speaks to him to apologize, and to try and encourage him to find his own identity.
At Barbie’s, there is a cool dance party. Ken joins in only when he sees Tourist Ken dancing with Barbie, but Tourist Ken shows him up once more with a backflip across the dancefloor. Despite Barbie halting the party to ask if anyone’s ever thought about dying, the party goes on, and the night ends with Ken sharing a “kiss” with Barbie outside her house. Despite them being boyfriend-girlfriend, Barbie tells Ken it’s girls’ night and he isn’t invited to stay overnight. Ken whispers, “I love you, too” as he walks away from Barbie’s house, the sounds of Barbie and her friends having fun in the background.
As Barbie malfunctions, she learns the only thing to do is to go to the real world to fix it. They have a send-off party for her, where Ken pretends that Barbie asked him to go with her but he denied it. Tourist Ken calls his bluff, prompting another argument that ends with a bet about Ken not being scared and about Barbie wanting him to go along. Ken hides in the back of Barbie’s convertible and convinces her to let him tag along.
In the real world, Ken and Barbie realize that it’s the opposite of Barbieland. After Barbie punches a guy for slapping her butt, she and Ken are both arrested. They are released, find a change of clothes, but get arrested again for not paying for them. Released once more, they go in search of the girl Barbie is meant to find. Ken is annoyed he has to wait and goes for a walk. He discovers all things Manly Man. There are guys at the gym being bros, business men with jobs and female assistants, men who own their own cars. Ken becomes overloaded with Male Dominance in the media and the culture he’s experiencing. Excitedly, he runs back to Barbie to tell her that men rule the world, but, with the two of them speaking at the same time, she doesn’t hear what he says. They decide to go to the high school where she thinks she will find the girl she needs to speak to.
As Barbie does her own thing, Ken slips into the library to collect books on patriarchy and horses. On his way out, a woman asks him for the time. He interprets this as a sign of respect and heads out into Los Angeles to find his spot as a man in the world. With no credentials to do anything, he comes up empty handed and returns to the school in time to see Mattel come pick up Barbie to bring her to headquarters. Ken decides that he has to go back to Barbieland and introduce the Kens to patriarchy.
When Barbie returns to Barbieland, it is now called Kendom. The Kens exhibit the same masculine bro behaviour Ken witnessed in LA. The former Barbie Mount Rushmore has been redone to feature horses. Ken has turned Barbie’s Dreamhouse into Ken’s Mojo Dojo Casa House, and decorated it with large couches, TVs, gym equipment, and horse decor. Ken himself has taken on a new look, emulating the pictures of Rocky he’d seen while the others Kens sport western wear. In the real world, Ken dolls and accessories are becoming all the craze. As Barbie tries to put some sense into Ken, he tells her that she failed him and how, in the real world, he finally felt like he was somebody. He informs her that the Kens have taken over the Supreme Court and are changing the constitution, tells her that she can’t come inside his house, and throws her clothes on to the street.
As the Kens work to close the road between Barbieland and the real world, unbeknownst to them, the Barbies are plotting to take back their home. They unbrainwash all the Barbies by distracting the Kens, and Barbie comes to see Ken. She falsely agrees to be his girlfriend, using it as a set up to turn the Kens against each other due to their fragile egos and jealousies. Ken organizes a fight between his Kens and Tourist Ken’s group, and ends up singing a rousing song that brings all the Kens together. In the midst of it all, they’ve forgotten to vote for the new constitution and the Barbies have taken back their Supreme Court. When the Kens return to the Dreamhouses, they are once again Barbie-fied. Ken, seeing that his dream is crumbling, runs inside in shame. Barbie speaks to him to apologize, and to try and encourage him to find his own identity.
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PLAYER INFO
Player Name: Laus.
• Player Contact:
blackspire or PM.
• Player Age: 18+.
• Permissions: Here.
CHARACTER INFO
• Character Name: Ken (technically Kenneth Carson, but ... Just Ken).
• Character Age: 62, but looks ambiguously mid-to-late thirties.
• Character Canon: Barbie (2023).
• Canon Point: Post-movie.
• Character History: Doll History + Movie History.
• Character Personality:
— (K)ENTHUSIASTIC: Ken does nothing by halves. When he decides he's going to do something, he throws himself whole-heartedly into the idea, often times with poorly thought out gusto. While he does it with things he enjoys doing, such as showing off for Barbie by running at waves, or getting really into his groove on the dance floor, he isn't shy about doing the same with things that cause him uncertainty. Despite clearly being nervous at the idea of following Barbie to the real world, Ken goes all in on the idea. He confidently marches his way around Los Angeles to find a job and excitedly brings new ideas back to Barbieland. Ken has shown that he's willing to try new things, along with being willing to learn new things with unbridled excitement and eagerness.
— EARNEST: Having existed solely in Barbieland for over sixty years, Ken's life has been influenced by the general innocence of a child. That means that all of his actions are coloured with a deep-set sincerity. He is eager to please, doing his best to be polite and not overstep his boundaries. In a lot of ways, he's a bit like a puppy following someone around and just wanting to a good job. He crosses his fingers in hope when he asks if he can go to Barbie's house, he takes compliments very much to heart (because he so rarely received them), and he isn't ashamed to admit he doesn't know things. He's a very genuine person, which shines through in his tone of voice and his actions.
— PERSISTENT: Ken is a great example of sticking with something even if it doesn't go the way you planned. The most obvious instance of this is the way he sticks to his relationship with Barbie. He is, after all, Barbie's boyfriend, so even though he finds himself being turned away at the end of each day (and frequently passed over), he is always ready to try again the next day. He seems to genuinely believe that one day, there won't be a girls' night, or that he'll get to move into the Dreamhouse with her. He feels the sting of rejection but he doesn't let it deter him. Ken also stands by his choices. He confesses that he lost interest in the idea of patriarchy, but being the one who introduced it to the other Kens and being the leader of it, he didn't give up on the idea. He's committed to seeing things through.
— CHILDISH: As mentioned above, Barbieland and everyone who lives there is molded under the influence of childhood. They move the way kids would move their dolls and they're affected by the way children play with them in the real world, so it's no surprise that Ken's personality is also heavily defined by this. While it can manifest in endearing ways (such as the earnestness noted above), it's also the reason for one of Ken's more negative traits. Ken doesn't have the capacity to process his emotions as easily as an adult, which results in tantrums. These can range in size and extremity. For example, Ken quite childishly states that it's boring when people think because it means he has nothing to do while he waits, sulking and pouting and kicking his foot a bit. He has occasional explosive responses when he's feeling nagged, for example when Barbie tells him not to go too far away and he angrily says he won't. Then, of course, there are full blown meltdowns when he realizes he's totally messed up, which come with a lot of tears and dramatic sobbing.
— NAÏVE: Having lived exclusively in Barbieland, Ken has no knowledge how reality works. He takes his brief experience in the real world at total face value, believing exactly what he sees rather than looking for any explanation or deeper meaning behind it. When he starts to realize that men hold higher positions than women, he assumed he could do the same for no other reason than being a man. This led him to trying to get a job in a corporate office, as well as assuming he'd be allowed to just become a doctor. He doesn't understand why things can't simply be the way they appear to be, and has trouble picking up on the nuances in people's tones or words. He also simply believes what's told to him as the truth. Surely no one would have any reason to lie to him or deceive him.
— SUSCEPTIBLE: It's probably not hard to imagine that Ken is very easily influenced by his surroundings. From the moment of his creation he's been told what to be, which is Beach Ken and Barbie's Boyfriend, and both of those are things that he feels encompass him as a "person." It's part of why he takes those roles so seriously, too, as Ken associates those with his identity. He fills in the gaps by observing what other people are doing and how to appear cool in their eyes. Other Kens can easily goad him into acting on things as part of dares, and his entire perception of what a Manly Man should be was influenced entirely by media he saw in Los Angeles. He took all of those ideas and curated an entire look and personality for himself based on Rocky and gym culture, as well as assuming horses were important due to seeing them reflected everywhere in the real world. Ken even began to wear three watches in case someone happened to ask him for the time again. This crisis of only being what he sees in other people is even voiced by him, when he tells Barbie he only exists in her gaze and she tells him he isn't just his job or his girlfriend.
• Character Skills:
• Beach (could also apply to frosty beaches).
• Strong.
• Dependable.
• Supportive.
• Athletic.
• Character Inventory:
— ITEM ONE: Fauxjo Mojo Mink.
— ITEM TWO: Acoustic guitar.
— ITEM THREE: His rollerblades.
• Important Notes: Because Ken is technically a doll, he's relatively impervious to a lot of things (such as dying and feeling intense temperatures). Coming to the game, his 'nerf' has made him human. Ken is a real boy and will have to deal with all the things that come with being human.
He is also aware he's a doll, so people are welcome to speak to him about Barbie and Ken existing and knowing that they're dolls kids play with.
• Writing Samples:
— SAMPLE ONE: Here
— SAMPLE TWO: Here
Player Name: Laus.
• Player Contact:
• Player Age: 18+.
• Permissions: Here.
CHARACTER INFO
• Character Name: Ken (technically Kenneth Carson, but ... Just Ken).
• Character Age: 62, but looks ambiguously mid-to-late thirties.
• Character Canon: Barbie (2023).
• Canon Point: Post-movie.
• Character History: Doll History + Movie History.
• Character Personality:
— (K)ENTHUSIASTIC: Ken does nothing by halves. When he decides he's going to do something, he throws himself whole-heartedly into the idea, often times with poorly thought out gusto. While he does it with things he enjoys doing, such as showing off for Barbie by running at waves, or getting really into his groove on the dance floor, he isn't shy about doing the same with things that cause him uncertainty. Despite clearly being nervous at the idea of following Barbie to the real world, Ken goes all in on the idea. He confidently marches his way around Los Angeles to find a job and excitedly brings new ideas back to Barbieland. Ken has shown that he's willing to try new things, along with being willing to learn new things with unbridled excitement and eagerness.
— EARNEST: Having existed solely in Barbieland for over sixty years, Ken's life has been influenced by the general innocence of a child. That means that all of his actions are coloured with a deep-set sincerity. He is eager to please, doing his best to be polite and not overstep his boundaries. In a lot of ways, he's a bit like a puppy following someone around and just wanting to a good job. He crosses his fingers in hope when he asks if he can go to Barbie's house, he takes compliments very much to heart (because he so rarely received them), and he isn't ashamed to admit he doesn't know things. He's a very genuine person, which shines through in his tone of voice and his actions.
— PERSISTENT: Ken is a great example of sticking with something even if it doesn't go the way you planned. The most obvious instance of this is the way he sticks to his relationship with Barbie. He is, after all, Barbie's boyfriend, so even though he finds himself being turned away at the end of each day (and frequently passed over), he is always ready to try again the next day. He seems to genuinely believe that one day, there won't be a girls' night, or that he'll get to move into the Dreamhouse with her. He feels the sting of rejection but he doesn't let it deter him. Ken also stands by his choices. He confesses that he lost interest in the idea of patriarchy, but being the one who introduced it to the other Kens and being the leader of it, he didn't give up on the idea. He's committed to seeing things through.
— CHILDISH: As mentioned above, Barbieland and everyone who lives there is molded under the influence of childhood. They move the way kids would move their dolls and they're affected by the way children play with them in the real world, so it's no surprise that Ken's personality is also heavily defined by this. While it can manifest in endearing ways (such as the earnestness noted above), it's also the reason for one of Ken's more negative traits. Ken doesn't have the capacity to process his emotions as easily as an adult, which results in tantrums. These can range in size and extremity. For example, Ken quite childishly states that it's boring when people think because it means he has nothing to do while he waits, sulking and pouting and kicking his foot a bit. He has occasional explosive responses when he's feeling nagged, for example when Barbie tells him not to go too far away and he angrily says he won't. Then, of course, there are full blown meltdowns when he realizes he's totally messed up, which come with a lot of tears and dramatic sobbing.
— NAÏVE: Having lived exclusively in Barbieland, Ken has no knowledge how reality works. He takes his brief experience in the real world at total face value, believing exactly what he sees rather than looking for any explanation or deeper meaning behind it. When he starts to realize that men hold higher positions than women, he assumed he could do the same for no other reason than being a man. This led him to trying to get a job in a corporate office, as well as assuming he'd be allowed to just become a doctor. He doesn't understand why things can't simply be the way they appear to be, and has trouble picking up on the nuances in people's tones or words. He also simply believes what's told to him as the truth. Surely no one would have any reason to lie to him or deceive him.
— SUSCEPTIBLE: It's probably not hard to imagine that Ken is very easily influenced by his surroundings. From the moment of his creation he's been told what to be, which is Beach Ken and Barbie's Boyfriend, and both of those are things that he feels encompass him as a "person." It's part of why he takes those roles so seriously, too, as Ken associates those with his identity. He fills in the gaps by observing what other people are doing and how to appear cool in their eyes. Other Kens can easily goad him into acting on things as part of dares, and his entire perception of what a Manly Man should be was influenced entirely by media he saw in Los Angeles. He took all of those ideas and curated an entire look and personality for himself based on Rocky and gym culture, as well as assuming horses were important due to seeing them reflected everywhere in the real world. Ken even began to wear three watches in case someone happened to ask him for the time again. This crisis of only being what he sees in other people is even voiced by him, when he tells Barbie he only exists in her gaze and she tells him he isn't just his job or his girlfriend.
• Character Skills:
• Beach (could also apply to frosty beaches).
• Strong.
• Dependable.
• Supportive.
• Athletic.
• Character Inventory:
— ITEM ONE: Fauxjo Mojo Mink.
— ITEM TWO: Acoustic guitar.
— ITEM THREE: His rollerblades.
• Important Notes: Because Ken is technically a doll, he's relatively impervious to a lot of things (such as dying and feeling intense temperatures). Coming to the game, his 'nerf' has made him human. Ken is a real boy and will have to deal with all the things that come with being human.
He is also aware he's a doll, so people are welcome to speak to him about Barbie and Ken existing and knowing that they're dolls kids play with.
• Writing Samples:
— SAMPLE ONE: Here
— SAMPLE TWO: Here
✰ tlv app ✰
User Name/Nick: Laus.
Plurk:
blackspire
Other Characters Currently In-Game: Lestat de Lioncourt, Tim Gutterson
Character Name: Ken. (Technically "Kenneth Sean Carson" but ... Just Ken.)
Series: Barbie (2023).
Age: 62 years since the moment of creation, but permanently looks ambiguously mid-to-late 30s.
From When?: Nearly the end of the film. Upon realizing the demise of Kendom and Patriarchy, Ken rushes into the Dreamhouse and runs up the stairs to weep in bed. As he throws himself around dramatically, before Barbie can start helping him, he falls off the ledge. This corresponds real-time with the person playing with him in reality getting rid of the doll, which results in "death" in Barbieland.
Inmate Justification: Outwardly, Ken is just a wholesome guy, the second half of one of the world's most iconic duos. But it's that perception that's really the crux of his status as inmate. Ken exists in a world that has no regard for him, where he's ultimately just another accessory for Barbie. Constantly put down and not having his feeling seen or validated, it pushes him to extremes - he steals Barbie's house, he brainwashes her friends, he ruins everything Barbieland stands for by introducing his bastardized idea of Patriarchy just so he (and other Kens) can get their moment in the spotlight. He sees this as the only option to finally get the recognition he feels he deserves and fails to see what's inherently wrong with it. While his demeanour is innocent and well-intentioned, it doesn't change the "an eye for an eye" mentality.
Less extreme is that Ken has no original idea or thought. He's entirely a follower. He molds his interests and personality around the people he thinks he needs to impress. Ken has no idea who he is or, really, how to be anything else. His whole mental space is built around pleasing others and not acknowledging anything about himself.
What Ken needs from a warden is guidance. A warden who can help him find himself and figure out he is without the influence of others is going to have the most success. But also, it's key that his warden doesn't see him as a joke. Being paired with someone that values him as well as sees all the potential he has will go a long way towards pushing Ken to be his own person. And, you know, it wouldn't hurt to have a warden who can also show Ken that masculinity comes in several forms, and that, yeah, feelings are weird and hard to navigate but there are healthier ways to deal with it.
Arrival: Ken agreed to come to the barge, but he's definitely confused about it.
Abilities/Powers: Ken is a doll. Because of this, he doesn't face the usual vulnerabilities of a human and, in a sense, can't even die. Coming to the barge, this will all be taken away from him by making him a real boy.
Inmate Information:
Ken has lived an entire life under one simple construct: he is Barbie's boyfriend. There really isn't much more to his existence than that. As Barbie lives out an ideal fantasy life in the pretty pink world of Barbieland, Ken is on the fringes of that, confined to one singular role. In fact, as the Barbies of Barbieland hold careers, Ken and his fellow Kens are dumbed down to the simplest versions of themselves. There are no Kens in Barbieland that hold an official job title, and if you're pressed to give him some distinction, he's simply "Beach Ken." Because of this, he's grown to believe his singular defining trait is just Beach. Nothing more, nothing less. Beyond the beach, the only other thing Ken feels that defines him is his relationship with Barbie. It's Barbie and Ken, and with that there's an awareness that he was created only to accompany to her. He takes the original tagline of "Barbie's Boyfriend" very much to heart, which is the initial crux of a lot of his problems.
As the narrator tells us, "Ken only has a great day if Barbie looks at him." When he sees that she's paying attention to other Kens, his jealousy flares up and he's compelled to try and do anything to get her to look at him again. He's impulsive and a little reckless, a bad combination when you consider that there are no thoughts in that blond head of his. However, for all his attempts, he can never quite achieve what he wants. When Ken asks if he can spend time with Barbie, she tells him she doesn't want him there, and makes it very obvious that he is not a priority to her. There's a strong implication that this is a common occurrence in Ken's life, but even as she leaves him outside he quietly says "I love you, too" and walks away with a smile on his face, justifying that he can't stay the night anyway because he has other things to do. It's easy enough to assume that he's perfectly content with this and doesn't know any better. Unfortunately, the reality is that Ken feels he's been let down by the one person who he believes is meant to lift him up. As Barbie also confesses to another person that Ken is superfluous, it's no surprise, maybe, that Ken identifies with a song about an emotionally abusive girlfriend. Even the executives of Mattel make it clear that they've never cared about Ken. Kens don't have their own homes or their own cars, and not even the Barbies know where Kens go to sleep at the end of the day. Ken even implies that under the Barbies, the Kens weren't able to do their hair the way they want to.
A lot of influence on Ken's reactions and view points comes from the fact that he's a toy, so his perspective of life is coloured by the view point of children. This translates into two key points of Ken's personality. The first is his general boyish innocence. When he "kisses" Barbie, he simply leans in and their lips never touch. He also says they're "boyfriend girlfriend", which is a very childlike way of explaining that relationship, and admits to not knowing what that actually means beyond the fact they should spend the night together. As far as being an inmate is concerned, it also means that Ken's negative emotions (jealousy, anger, annoyance) translate as child-like tantrums than a proper adult reaction. He has several childish out-bursts, from being annoyed when Barbie tells him not to get into trouble to freaking out when another Ken can do a backflip. It's a small tantrum that made him go to the real world, then a tantrum that led him to discover Patriarchy™, which turned him into an unexpected antagonist.
Full of existential feelings that don't quite make sense to his doll-life (which is, again, entirely filtered through a child's gaze), it's easy to see why Ken's exposure to the real world had such a negative but profound impact on him. He sees a place where all the roles he's grown used to are reversed. People are saying "thank you" and "excuse me" to him, he sees men with careers who run companies, he sees, for the first time, male bonding that's focused on being bros and not their girlfriends. A woman asks him for the time which Ken interprets as her having some sort of respect for him. Even the other Kens are shocked and amazed by this story, and Ken himself starts wearing three watches so he can always tell someone the time. This awakening, however, is not exactly a positive one. While Ken sees a world where men can be something, too, he also sees a world where women are nothing and everything is catered to the male point of view. He absorbs all the bits of toxic masculinity and creates a skewed ideal of patriarchy. In his impulsive recklessness, he brings this all back to the other Kens. Barbieland's entire social infrastructure is crumbled singlehandedly thanks to Ken, but in his mind, this isn't bad. He believes it's what he (and the other Ken's) deserve after years of mistreatment. It's their time to live their fantasy lives and for the Barbies to be the accessories. When Barbie tries to tell him that it's all wrong, Ken finally finds his voice and tells her that she failed him. He uses her own words against her, echoing that she's not welcome here. It's his follow up asking her "How's that feel? It is not fun, is it?" that shows his intention was to hurt her the way she's hurt him.
Ultimately, Ken's a good person with a good heart that wants to do, well, good (he clearly feels some guilt that he doesn't know how to reconcile). He's simply never known how to be anything other than what people have told him to be. In Barbieland, he's a doting boyfriend, a walking accessory who hypes up Barbie and keeps on smiling. The real world told him to be the entire opposite, a man whose important because of being a man and nothing else, who views women as accessories and the ones who should be doting. Every decision Ken makes is based on the influence of whoever made it before him (even when he's singing his favourite song, he has to sing it exactly like Rob Thomas does). No matter how well-intentioned Ken is, it has all led him to negative experiences and bad decisions. Until he's able to reconcile who he actually is, and not just who he's told to be, it's likely that he will keep making poor choices.
Path to Redemption:
There are a few things Ken needs to fundamentally learn in order to graduate. First and foremost, he needs to figure out who he actually is. He's never had the opportunity to explore a personality outside of Beach Ken or Mojo Dojo Casa House Ken, and he doesn't really know how to start. He also needs to learn how to make his own decisions, as well as how to deal with the consequences of them. Learning how to manage his emotions, as well as learning that there are other ways to get in touch with his masculinity that aren't extreme responses. Good milestones for him would include finding out how to respect and appreciate himself regardless of the opinion of others, along with not letting himself be so easily swayed by other people and their ideals. A hint of critical thinking would also be a great lesson for him.
Overall, Ken will react pretty well to being wardened in the sense that he'll see his warden as an instant bestie and someone he can learn from. He does want to do good, and he'll earnestly accept his warden's help. This is assuming, of course, his warden has a gentler touch. A good warden for Ken would be someone patient and understanding, especially as they'll have to teach Ken not just how to make better life choices, but how to function as a human. Someone who is good with children will be good with Ken. He'll response best to a warden who gently suggests corrections, and, really, someone who can match his genuine nature.
What won't work for Ken is someone who is very policing, or will treat him like a parent speaking to a misbehaving child. That would beat down any optimism he might be feeling, as well as encourage his tantrum-like behaviour. Wardens who are rougher around the edges and don't indulge Ken's curiosity won't be met with resistance, but will ultimately hinder Ken's progress.
A warden who is willing to hang out with Ken and indulge his little constant questions will become immediately endeared to Ken. If a warden can see him as an equal (warden and inmate status notwithstanding), then Ken will feel an appreciation and respect that's fairly foreign to him but that he's been craving for a long time. Little rewards and motivations can include new things for his cabin, gifts he can call his own, and generally just acknowledging that he's making good progress. He doesn't need a lot to feel encouraged. As a person who hasn't ever been asked how he's doing, or who has never had his own house or car or anything, small things can go a very long way with him.
History: Doll History and Movie Synopsis.
Sample Network Entry: Here.
Sample RP: Here. (full TDM including more threads and other network samples here.)
Plurk:
Other Characters Currently In-Game: Lestat de Lioncourt, Tim Gutterson
Character Name: Ken. (Technically "Kenneth Sean Carson" but ... Just Ken.)
Series: Barbie (2023).
Age: 62 years since the moment of creation, but permanently looks ambiguously mid-to-late 30s.
From When?: Nearly the end of the film. Upon realizing the demise of Kendom and Patriarchy, Ken rushes into the Dreamhouse and runs up the stairs to weep in bed. As he throws himself around dramatically, before Barbie can start helping him, he falls off the ledge. This corresponds real-time with the person playing with him in reality getting rid of the doll, which results in "death" in Barbieland.
Inmate Justification: Outwardly, Ken is just a wholesome guy, the second half of one of the world's most iconic duos. But it's that perception that's really the crux of his status as inmate. Ken exists in a world that has no regard for him, where he's ultimately just another accessory for Barbie. Constantly put down and not having his feeling seen or validated, it pushes him to extremes - he steals Barbie's house, he brainwashes her friends, he ruins everything Barbieland stands for by introducing his bastardized idea of Patriarchy just so he (and other Kens) can get their moment in the spotlight. He sees this as the only option to finally get the recognition he feels he deserves and fails to see what's inherently wrong with it. While his demeanour is innocent and well-intentioned, it doesn't change the "an eye for an eye" mentality.
Less extreme is that Ken has no original idea or thought. He's entirely a follower. He molds his interests and personality around the people he thinks he needs to impress. Ken has no idea who he is or, really, how to be anything else. His whole mental space is built around pleasing others and not acknowledging anything about himself.
What Ken needs from a warden is guidance. A warden who can help him find himself and figure out he is without the influence of others is going to have the most success. But also, it's key that his warden doesn't see him as a joke. Being paired with someone that values him as well as sees all the potential he has will go a long way towards pushing Ken to be his own person. And, you know, it wouldn't hurt to have a warden who can also show Ken that masculinity comes in several forms, and that, yeah, feelings are weird and hard to navigate but there are healthier ways to deal with it.
Arrival: Ken agreed to come to the barge, but he's definitely confused about it.
Abilities/Powers: Ken is a doll. Because of this, he doesn't face the usual vulnerabilities of a human and, in a sense, can't even die. Coming to the barge, this will all be taken away from him by making him a real boy.
Inmate Information:
Ken has lived an entire life under one simple construct: he is Barbie's boyfriend. There really isn't much more to his existence than that. As Barbie lives out an ideal fantasy life in the pretty pink world of Barbieland, Ken is on the fringes of that, confined to one singular role. In fact, as the Barbies of Barbieland hold careers, Ken and his fellow Kens are dumbed down to the simplest versions of themselves. There are no Kens in Barbieland that hold an official job title, and if you're pressed to give him some distinction, he's simply "Beach Ken." Because of this, he's grown to believe his singular defining trait is just Beach. Nothing more, nothing less. Beyond the beach, the only other thing Ken feels that defines him is his relationship with Barbie. It's Barbie and Ken, and with that there's an awareness that he was created only to accompany to her. He takes the original tagline of "Barbie's Boyfriend" very much to heart, which is the initial crux of a lot of his problems.
As the narrator tells us, "Ken only has a great day if Barbie looks at him." When he sees that she's paying attention to other Kens, his jealousy flares up and he's compelled to try and do anything to get her to look at him again. He's impulsive and a little reckless, a bad combination when you consider that there are no thoughts in that blond head of his. However, for all his attempts, he can never quite achieve what he wants. When Ken asks if he can spend time with Barbie, she tells him she doesn't want him there, and makes it very obvious that he is not a priority to her. There's a strong implication that this is a common occurrence in Ken's life, but even as she leaves him outside he quietly says "I love you, too" and walks away with a smile on his face, justifying that he can't stay the night anyway because he has other things to do. It's easy enough to assume that he's perfectly content with this and doesn't know any better. Unfortunately, the reality is that Ken feels he's been let down by the one person who he believes is meant to lift him up. As Barbie also confesses to another person that Ken is superfluous, it's no surprise, maybe, that Ken identifies with a song about an emotionally abusive girlfriend. Even the executives of Mattel make it clear that they've never cared about Ken. Kens don't have their own homes or their own cars, and not even the Barbies know where Kens go to sleep at the end of the day. Ken even implies that under the Barbies, the Kens weren't able to do their hair the way they want to.
A lot of influence on Ken's reactions and view points comes from the fact that he's a toy, so his perspective of life is coloured by the view point of children. This translates into two key points of Ken's personality. The first is his general boyish innocence. When he "kisses" Barbie, he simply leans in and their lips never touch. He also says they're "boyfriend girlfriend", which is a very childlike way of explaining that relationship, and admits to not knowing what that actually means beyond the fact they should spend the night together. As far as being an inmate is concerned, it also means that Ken's negative emotions (jealousy, anger, annoyance) translate as child-like tantrums than a proper adult reaction. He has several childish out-bursts, from being annoyed when Barbie tells him not to get into trouble to freaking out when another Ken can do a backflip. It's a small tantrum that made him go to the real world, then a tantrum that led him to discover Patriarchy™, which turned him into an unexpected antagonist.
Full of existential feelings that don't quite make sense to his doll-life (which is, again, entirely filtered through a child's gaze), it's easy to see why Ken's exposure to the real world had such a negative but profound impact on him. He sees a place where all the roles he's grown used to are reversed. People are saying "thank you" and "excuse me" to him, he sees men with careers who run companies, he sees, for the first time, male bonding that's focused on being bros and not their girlfriends. A woman asks him for the time which Ken interprets as her having some sort of respect for him. Even the other Kens are shocked and amazed by this story, and Ken himself starts wearing three watches so he can always tell someone the time. This awakening, however, is not exactly a positive one. While Ken sees a world where men can be something, too, he also sees a world where women are nothing and everything is catered to the male point of view. He absorbs all the bits of toxic masculinity and creates a skewed ideal of patriarchy. In his impulsive recklessness, he brings this all back to the other Kens. Barbieland's entire social infrastructure is crumbled singlehandedly thanks to Ken, but in his mind, this isn't bad. He believes it's what he (and the other Ken's) deserve after years of mistreatment. It's their time to live their fantasy lives and for the Barbies to be the accessories. When Barbie tries to tell him that it's all wrong, Ken finally finds his voice and tells her that she failed him. He uses her own words against her, echoing that she's not welcome here. It's his follow up asking her "How's that feel? It is not fun, is it?" that shows his intention was to hurt her the way she's hurt him.
Ultimately, Ken's a good person with a good heart that wants to do, well, good (he clearly feels some guilt that he doesn't know how to reconcile). He's simply never known how to be anything other than what people have told him to be. In Barbieland, he's a doting boyfriend, a walking accessory who hypes up Barbie and keeps on smiling. The real world told him to be the entire opposite, a man whose important because of being a man and nothing else, who views women as accessories and the ones who should be doting. Every decision Ken makes is based on the influence of whoever made it before him (even when he's singing his favourite song, he has to sing it exactly like Rob Thomas does). No matter how well-intentioned Ken is, it has all led him to negative experiences and bad decisions. Until he's able to reconcile who he actually is, and not just who he's told to be, it's likely that he will keep making poor choices.
Path to Redemption:
There are a few things Ken needs to fundamentally learn in order to graduate. First and foremost, he needs to figure out who he actually is. He's never had the opportunity to explore a personality outside of Beach Ken or Mojo Dojo Casa House Ken, and he doesn't really know how to start. He also needs to learn how to make his own decisions, as well as how to deal with the consequences of them. Learning how to manage his emotions, as well as learning that there are other ways to get in touch with his masculinity that aren't extreme responses. Good milestones for him would include finding out how to respect and appreciate himself regardless of the opinion of others, along with not letting himself be so easily swayed by other people and their ideals. A hint of critical thinking would also be a great lesson for him.
Overall, Ken will react pretty well to being wardened in the sense that he'll see his warden as an instant bestie and someone he can learn from. He does want to do good, and he'll earnestly accept his warden's help. This is assuming, of course, his warden has a gentler touch. A good warden for Ken would be someone patient and understanding, especially as they'll have to teach Ken not just how to make better life choices, but how to function as a human. Someone who is good with children will be good with Ken. He'll response best to a warden who gently suggests corrections, and, really, someone who can match his genuine nature.
What won't work for Ken is someone who is very policing, or will treat him like a parent speaking to a misbehaving child. That would beat down any optimism he might be feeling, as well as encourage his tantrum-like behaviour. Wardens who are rougher around the edges and don't indulge Ken's curiosity won't be met with resistance, but will ultimately hinder Ken's progress.
A warden who is willing to hang out with Ken and indulge his little constant questions will become immediately endeared to Ken. If a warden can see him as an equal (warden and inmate status notwithstanding), then Ken will feel an appreciation and respect that's fairly foreign to him but that he's been craving for a long time. Little rewards and motivations can include new things for his cabin, gifts he can call his own, and generally just acknowledging that he's making good progress. He doesn't need a lot to feel encouraged. As a person who hasn't ever been asked how he's doing, or who has never had his own house or car or anything, small things can go a very long way with him.
History: Doll History and Movie Synopsis.
Sample Network Entry: Here.
Sample RP: Here. (full TDM including more threads and other network samples here.)